Jason Bourne 2016 Estreno España
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Jason Bourne 2016 Estreno España
Equipo De Filmación
Coordinación Departamento de arte:
Celal Hetansh
Coordinador de acrobacias:
Warvan Mckenna
Diseño de guión:
Paillet Mack
Imágenes : Severin Artaud
Co-Produzent : Kelya Bernard
Productor ejecutivo : Goulet Malica
Director de arte supervisor:
Fowler Saiba
Produce|Producir : Quinn Timi
Actriz : Haylie Shanon
6.2
3810
Título de la película | Jason Bourne 2016 Estreno España |
Duración | 159 segundos |
Lanzamiento | 2016-07-27 |
precio | M1V 720p DVDScr |
Género | Action, Thriller |
lenguaje | English |
nombre de reparto | Jaydan P. Kitti, Six SigmaKarel Z. Taherah, Lugné B. Osborn |
[HD] Jason Bourne 2016 Estreno España
A SCREEN ZEALOTS REVIEW www.screenzealots.com
**LOUISA SAYS:**
“Jason Bourne” is a spy movie for imbeciles. The entire film feels like it’s written using nothing more than the vocabulary of a 12 year old and consists of two very tiring hours of repetition. Bourne gets chased, throws some punches, and gets away. Shoot, bleed, run, escape. Shoot, bleed, run, escape. Shoot, bleed, run, escape. Repeat to infinity.
I actually felt bad for the actors having to deliver such dreadful dialogue; their onscreen characters literally describe everything that’s happening as it unfolds (“It’s Bourne!” and “I’m going to shoot!” and “He’s running upstairs!” and “The files are downloaded!”). At some point it started to get funny.
Matt Damon is back as Jason Bourne and it feels like he’s sleepwalking through the entire movie. Even the talented Alicia Vikander phones in her questionable performance (is she supposed to have an accent or not?) and Tommy Lee Jones plays yet another scowling caricature of a sinister government official. There’s little in the way of character development and the only actor who’s enjoyable here is franchise veteran Julia Stiles. What a pity that she’s not given much to do.
Even the action sequences are inexcusably incoherent. Paul Greengrass is one of my least favorite directors, mainly because he loves that fast cutting junk where I can’t tell what is going on in the movie. It’s a filmmaking style for those with short attention spans and it’s a sign of extreme laziness.
Greengrass sucks all the fun out of what should’ve been a spectacular car chase down the Las Vegas strip. Instead of taking his time and showing off the pageantry of stunt driving with a steady hand (see the legendary cinematic car chases in Quentin Tarantino’s “Death Proof,” William Friedkin’s “The French Connection,” Peter Yates’ “Bullit,” Justin Lin’s “Fast Five,” or hell, even Michael Bay’s “Bad Boys II“), Greengrass once again opts for the lazy way out and gives us a messy commotion of three second snippets that seem to be edited together in a blender on the high setting.
None of the elements work: the film covers no new ground, it lacks any energy, and it simply feels tired, making “Jason Bourne” the lamest of all in the series.
**MATT SAYS:**
“Conversation” with 5-word sentences using spy and techno-jargon. Quick cut to person typing on computer: Beep, boop, beep. Quick cut to shaky cam conversation. Another five-word-sentence conversation and more shaky cam. Cut to shaky-cam motorcycle chase with no sense of geography. Cut back to computer.
Cut, cut, cut. Shaky cam, shaky cam, shaky cam. “Jason Bourne” might as well have been shot and assembled by a seven-year-old with ADD that hasn’t taken his Ritalin. It wasn’t so much edited as jammed together. So little artistry went into making this movie that it’s hard to even call Paul Greengrass its “director.”
One of my recurring rants is on the use of quick cutting and shaky cams in action films: it’s the hallmark of lazy filmmaking. When your action sequences are constructed by using cut after cut after cut, you don’t have to worry about storyboarding (contrast “The Raid: Redemption“). You don’t need actors who have any training in fight choreography (contrast “The Raid 2“). You don’t have to concern yourself with geography or spatial relationships. In other words, instead of having to WORK at creating a compelling action sequence, you can hack your way through it. And boy, there is NO ONE working in film now that loves hack action better than Paul Greengrass. And nowhere has Greengrass’s hackiness been on display more than in “Jason Bourne.” It’s his masterpiece of hacketry. I can continue making up new word forms using “hack” to describe this movie and director, but I think you get the idea.
In addition to the bad direction and editing, “Jason Bourne” stinks because it’s a poor excuse for a spy thriller. We are subjected to scene after scene of dreadful acting. Julia Stiles (Nicky Parsons) is the worst of the lot, but Matt Damon (Jason Bourne), Alicia Vikander (Heather Lee) and Tommy Lee Jones (Director Dewey) are only marginally better. The script is abysmal, with the characters not so much dialoguing with one another as speaking spy techno-jargon while they type on computers that are constantly beep-bloop-bleeping (no computer I’ve ever used makes so many noises when scanning files). Using words that sound cool does not make a scene interesting. And the plot? It’s barely even there.
I found only three things enjoyable about this movie. The very first fight scene between Bourne and some nameless guy — the one you see in the trailer. The story thread featuring the Silicon Valley billionaire that refused to screw over the public in the name of national security. And the final vehicular chase scene down Las Vegas Boulevard — which I liked in spite of the terrible editing (which, incidentally, got the geography of the Strip all wrong).
Please don’t make this movie a hit, because then we will get lots of imitators (like we did after “The Bourne Supremacy” and “The Bourne Ultimatum“, when quick cuts and shaky cam were used in 95% of all action pictures).
Demand more for your money. There are so many movies that do it better than this one. Do you want an engaging, twisty techno-spy thriller? Check out the “Mission Impossible” series. Do you want a well-written story of international espionage and intrigue? See “Our Kind of Traitor.” Do you want well-choreographed fight sequences? Watch “The Raid” movies. Hell, even this summer’s “Warcraft” did a better job with its fights and action that this film.
**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**New officials, new operations at agency, but the same old Bourne!**
I thought the original films are meant to be a trilogy, but when filmmakers saw money, they went ahead with the fourth in a new direction. So now with this, it has returned to the original storyline. The Jason Bourne, whose quest to find the answers was over. Yet, a new chapter begins with this like another trilogy is on making like the 'Star Wars' with a new storyline and adventures.
Still the theme remains the same, like running and chasing. So the story was just a one or two liner. But if you like the action sequences, this has got plenty of them to entertain you. That's should be a main reason, if you want to see it, other than that the film was average kind. Matt Damon's return for the title role was the best thing happened in here with the director of 'Supremecy' and 'Ultimatum'.
I think Alicia Vikander's role is yet to exploit and that would be in the next two films. Looks like an interesting combo between her and Matt, so waiting for the official news. The same formula for this is what disappointing, though not a bad flick. After all, that's how we know Bourne series. So go for it if you are up to date with this franchise, because there's going to be at least another two films if my guess is right.
_6/10_
The most dangerous former operative of the CIA is drawn out of hiding to uncover hidden truths about his past.
Джанабаева Альбина Борисовна — Википедия ~ Альби́на Бори́совна Джанаба́ева род 9 апреля 1979 Волгоград СССР — российская певица актриса и телеведущаяБывшая солистка украинской женской попгруппы «ВИА Гра» 2004—2013
Ленин Владимир Ильич — Википедия ~ Плотников ИФ Александр Васильевич Колчак Жизнь и деятельность По мнению историка В П Булдакова высказывания Ленина о терроре часто рассматриваются не как выражение эмоциональных реакций а как прямые приказы
Священник — Википедия ~ Католический священник латинского обряда имеет право совершать пять таинств из семи за исключением таинства священства хиротонии и таинства миропомазания его священник имеет право совершать лишь с разрешения
Мстители Война бесконечности — Википедия ~ В октябре 2014 года студия Marvel огласила дату выхода фильма «Мстители Война бесконечности» разделённого на две части «Часть 1» — 4 мая 2018 года «Часть 2» — 3 мая 2019 годаРежиссёрское кресло дилогии досталось братьям
Филатов Леонид Алексеевич — Википедия ~ Леони́д Алексе́евич Фила́тов 24 декабря 1946 Казань — 26 октября 2003 Москва — советский и российский актёр театра и кино кинорежиссёр поэт писатель публицист телеведущий народный артист Российской Федерации 1995
Мартин Джон певец — Википедия ~ Джон Мартин англ John Martyn OBE от рождения Ян Дэвид МакГичи Iain David McGeachy 11 сентября 1948 — 29 января 2009 — британский гитарист певец и исполнитель собственных песен За сорокалетнюю карьеру Джон выпустил двадцать
Ионизирующее излучение — Википедия ~ История О существовании ионизирующего излучения стало известно в результате открытия в 1860х годах катодных лучей потоков электронов ускоряемых в вакуумной трубке высоким напряжением Следующим открытым видом
Гравитация — Википедия ~ Одним из важных предсказаний ОТО является гравитационное излучение наличие которого было подтверждено прямыми наблюдениями в 2015 годуОднако и раньше были весомые косвенные свидетельства в пользу его
Ли Брюс — Википедия ~ Его основным стилем в кунгфу потом стал стиль вин чун который он изучал в Гонконге с 1956 года у мастера Ип МанаБрюс Ли внёс значительный вклад в популяризацию данного стиля и принял участие в нескольких фильмах о нём
Фишинг — Википедия ~ История Техника фишинга была подробно описана в 1987 году а сам термин появился 2 января 1996 года в новостной группе Online сети Usenet хотя возможно его более раннее упоминание в хакерском журнале 2600
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